Multicam Tips & Tricks for Premiere Pro Editors
I wrote the Multicam chapter in the Best Practices and Workflow Guide for Adobe, and this post is a collection of both simple and more advanced techniques and workflows that didn’t fit in the...
Tagged: Audio Editing
The Cool Stuff in Premiere Pro – now available!
The Cool Stuff in Premiere Pro is now available as downloadable e-book (watermarked PDF). It covers advanced editing techniques in Premiere Pro, and goes into much greater detail than any existing book on Premiere. This...
Syncing Dual System Audio in Premiere Pro
Learn how the Multi-Camera feature in Premiere works much better for syncing dual system sound than the old Merge Clips feature. Separately recorded audio can be automatically synced to your video using Audio, Time...
PDF chapter on Audio in Premiere Pro
Audio Editing is what most people struggle a lot with in Premiere Pro, especially if coming from other NLEs like FCP, Vegas or Avid. Premiere Pro CC handles audio in very different ways from all of these. Once you understand the logic behind the audio handling in Premiere, you’ll see that it’s very powerful and deep. You’ll get a full overview of the complete audio chain in Premiere Pro CC!
In this chapter you’ll learn everything about how to decide what channels from a source to import and what channels to put on the timeline. You’ll learn how to make Premiere treat Stereo clips as Dual Mono (like FCP and Avid does), and understand the difference between Mono, Standard, 5.1, Adaptive and Multichannel clips and tracks. You’ll also learn how to make Multichannel timelines where you can route audio tracks to whatever outputs you need – and how to treat a 5.1 mix. Need to export 32 audio channels? You’ll learn how.
