Jarle’s Premiere Pro Presets version 4.0

Jarle's Premier Pro presets

The 1.0, 2.0, and 3.0 versions of my presets have been downloaded more than 375,000 times, and are used daily by documentary film editors, wedding video makers, students, broadcast companies, and even Hollywood. Now, you can download version 4.0 for Premiere Pro CC 2018, with even more cool and useful presets.

I’ve included the Deadpool presets for Handheld Camera, more Audio presets, and more compositing tools. All presets using obsolete effects have been replaced by new ones using the new effects.

Now there are 106 presets in total!  Most presets from earlier are still included. You’ll get lots of Color Grading presets, including several “Looks” presets for Bleach Bypass, Teal & Orange, Sepia, Color Negative, Cross Process and many more.

In addition, there are LOG to LIN presets for Alexa, Canon Cinestyle for DSLRs and for Sony F3, some scaling tools for HD to SD, 1080 to 720 etc., and some useful Compositing tools like Dynamic Garbage Matte, and some cool Miscellaneous presets.

Most of the presets have tool tips so when you hover over them you’ll get info about how to use them. For example, the “Blooming Highlights” preset says “Use on Adjustment Layer. Keys out the highlights and blurs them. Also sets Adjustment Layer to Screen mode”.

Download these Premiere Pro CC 2018 presets now – they’re free!

If you want to use the sound effect that accompanies the Bad TV Reception preset, you can download the audio file here.


Older versions

For older versions of Premiere, use these versions.

Version 1 (Premiere Pro CS6), 63 presets

Version 2 (Premiere Pro CC), 89 presets

Version 3 (Premiere Pro CC 2014.2), 98 presets


Complete list of effects presets in version 4.0

Jarle’s Audio Tools

Bad Phone Line
Bad Stadium PA
Compressor 2.5:1
Reverb Ring Out
Rich Voice-Over
Soft Compression & Limiter @ -0.5 dB
Voice-Over Enhancer
Volume Keyframe Killer

Jarle’s Compositing Tools

Dynamic Garbage Matte
Dynamic Garbage Matte Track Matte
Four-Point Garbage Matte
High Contrast Key
High-Contrast Matte
Matte Contrast & Blur

Jarle’s Grading Tools

Black & White + Difference Mode
Blooming Highlights
Broadcast Safe (Video Limiter)
Broadcast Safe – Super Safe
Crop Center
Curves Secondary Ready
Curves 95 %
Desaturate Shadows
Desaturate White and Blacks
Dodge & Burn
Gaussian Blur 150
Grain 01
Grain 02
Highlight Roll-Off
S-Curve 90
S-Curve Light
S-Curve Steep
Saturation 50
Saturation 110
Saturation 130
Track Matte V3
Unsharp Mask

Jarle’s Deadpool Handheld Camera Presets

For any footage
Handheld Camera – Long Lens
Handheld Camera – Small Camcorder
Handheld Camera – Somewhat Steady
For oversized footage
Handheld Camera – Lots of Movement
Handheld Camera – More Movement
Handheld Camera – More Movement Smooth
Handheld Camera – More Movement, Smoothest

Jarle’s Looks

Bleach Bypass 01
Blue Blurred Highlights
Blue-Green Shadows
Cold Highlights
Color Negative
Cross Process 1
Cross Process 2
Crushed Blacks
CTB Blue 25%
CTO Orange 25 %
Day for Night
Deep Blacks
Faded Color
Teal & Orange (Advanced)
Teal & Orange (Simple)
Warm Highlights

Jarle’s Scaling Tools

720 to 1080
SD 576 to HD 1080
SD 576 to HD 720
UHD to 4k
1080 to 720
HD 1080 to SD 576
HD 720 to SD 576
2160 to 1080
1920 to 1080
PiP 33% (LL, LM, LR, ML, MM, MR, UL, UM, UR)
Pip 50% (UL, UR, LL, LR)

Jarle’s Transitions

Camera Flash
Cross Dissolve 0.5 sec
Cross Dissolve 1 sec
Cross Dissolve 1.25 sec>
Cross Dissolve 2 sec
Double Matte Wipe Lower Matte
Double Matte Wipe Upper Matte
Glow & Blur
Matte Transition
Spherical Blur for standard video
Swish Pan Blur
Swish Pan In
Swish Pan Out

LOG to LIN + Cinestyle LUT

Alexa LOG to LIN
Canon Technicolor Cinestyle™ S-curve
Sony F3 S-log to LIN

Misc effects

Bad TV Reception
Bouncing Text
Ease Keyframes
Fade Text In and Out
Ken Burns 18MP for HD
Opacity Keyframe Killer
Transform with Motion Blur
Vignette 10180p

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48 Responses

  1. Victor Bess says:

    Thank you so much for your amazing body of work here on PremierePro.net. I’ve learned so much and find it a GEM of a site. My question, I see you have a CineStyle S-Curve preset. Is there a chance you can make one for Prolost Flat?

  2. Brent says:

    Downloaded, unzipped, followed instructions to install…6 times, doesn’t show up in the Presets folder in either Premier Pro CS6 or CC 2017…….??????????????

    • Please rad the instructions. These preset were made for Premiere Pro C 2018… For older versions of Premiere, download version 1, 2 or 3.

    • GLS says:

      I use CS6 and his version 1 file opens and installs correctly. You can install his version 2 file in CS6 so that it displays BUT, if you read the txt file that is contained in each of the versions, ver 2, 3, & 4 say that they are for CC. You would have to have a current copy of CC to run ver 4 from a read of his notes.

  3. lyha says:

    Thanks so much you made my day i love you

  4. Vishal Gupta says:

    sir does this presets v4.0 not supports in premiere pro cc 2017. I have imported it on premiere pro cc 2017 but it is not showing in presets while all other presets of yours v1.0, v2.0, v3.0 are showing there.
    Please tell me what to do for installing version 4.0

  5. Peter says:

    Hey Jarle – I just finally updated from 2015.3 to 2018 and just downloaded your invaluable presets once again.

    I fine service you provide and I love the price! Thank You!

  6. Abba says:

    J’aimerai avoir les nouveau plugin, merci bcp pour l’aide que vous nous donner, la connaissance se partage

  7. Francisco Cisneros Jr says:

    Hi Jarle’s – I am having a problem trying to apply de Bad Tv Reception PRESET in a CLIP that I slowed down to 50% speed (Slow Motion). The horizontal “de-sync” of the effect doesn’t work and the waves are paralyzed. Do you have any idea what’s going on? The keyframes are ok and the effect is running but, like others 100% playback speed clips, isnt running the horizontal desync.

  8. Fabio says:

    The Rich-Voiceover effect makes my premiere go stuck with a stop sign and the timeline continues to scroll based on where the cursor is. I have to open task manager and kill the process in order to be able to do anything else, the window doesn’t work anymore, any fix?

  9. Lyall says:


    I am having problems trying to get the effect presets on my very old and only version on Adobe Premiere, CS3. Are they compatible with this version?? I really hope so! Thanks

  10. Bob Sawyer says:

    1st , Thank you so much for these great presets, but I’m having an issue trying to load v.3.0 & 4.0
    I’m running Win7 Home Premium. Version 2.0 Has worked great for me, no problems loading, but 3.0 & 4.0 even though I load them exactly the same way..don’t show up under my Presets Tab… any ideas?
    Thanks again!

  11. Bob Sawyer says:

    BTW, I did read the instructions, and its the same for both 3.0 and 4.0, it says right at the top that you need Premiere Pro CC 2018 for “SOME” of the presets to work….. so I was assuming that “Some” would work….( in CS6 ) am I wrong in that assumption?
    Thanks again!

    • Some users have reported that they have successfully used a few of the presets in older versions. But please understand that they were specifically designed to work in the version they were made for, and if you try anything else, you’re on your own. You may or may not be lucky.

  12. Les says:

    You’re awesome bro!!!! This changes everything.

  13. Lofton says:

    Do the presets work for CC19

  14. MoDa0206 says:

    Have you made any DJI drone LUTS for CS5.5 premiere or AE?

    • No, I haven’t. I’m not a fan of LUTs. Remember: A LUT is just a color grading preset that can’t be adjusted (other than intensity). So I tend to use Presets instead–but I have not found a need for specific presets for specific cameras.

  15. David Shoyinka says:

    Thank you, sir. Just for being generous to the community. You don’t know the impact you’re having on young budding filmmakers.

  16. Vladimir says:

    Do you have some video preview of this pack to can see the effects? And little tutorial how to use them after I installed? Because I am beginner. Thanks!

    • I’m afraid I don’t. But it’s a good idea for a tutorial – so maybe in the future. In the meantime you’ll just have to try them on your clips and hit Play.

  17. Prince Emarawho says:

    thanks so much for this

  18. wosley says:

    Muito obrigado!

  19. k.s says:

    Is commercial use possible?

    • Absolutely! If you mention in the credits that you’ve used “Handheld camera presets from premierepro.net”, that would be much appreciated. Also, feel free to post a link to the finished project here.

  20. raymond roels says:

    Would it be possible to have Jarle’s Looks – Amber in Luts .cube?

    • Hi, you can easily do that yourself. Add the Preset to a clip, then export it as a .cube LUT from the panel menu in the Lumetri Color panel.
      Personally, I like presets better, as they can be tweaked.

  21. Pallavi Singh says:

    Thank You So Much Sir Its Really Helpful for me
    By the way I have a Question Would it be possible to have Jarle’s Looks – Amber in Luts .cube?

  22. Oluwatuyi Olawale says:

    This info is really great and helpful, I have been having issues on how to export a.cube file but I can now understand more…well done sir

  23. Nancy Raskauskas says:

    You just saved my life with these presets. I was diligently trying to create my own effects and time is of the essence. But, for some reason, Premiere has not fixed a major problem with adding adjustment layers. Thank you so much for these offerings.

  24. Carlo says:

    Thank you for sharing this.

  25. Jack says:

    Thanks for the presets – much appreciated!

  26. A.J. Fox says:

    I really miss your Rich Voiceover preset. I don’t know what Premiere has done to mess it up in recent iterations, but it doesn’t work like it used to. I don’t suppose you have created a new version, have you?

    • Hi A.J. – yes, Adobe removed the old Multiband Compression effect that was used in version 3. I did re-create the preset in version 4, but I was not able to get the new (not obsolete) effects to do the same thing as the old versions did.
      It would probably be possible to get a closer match if one spent more time. If anyone else here has made a new preset using only non-obsolete effects that is closer to the original, then please don’t hesitate to post it here!

  27. Ericbiti Hworo Peter says:

    Thank You

  28. Artem says:

    Can I use these presets in my projects? Are commercial and non-commercial use possible?
    I want to use them mostly for creating video. Is attribution necessary?

  29. arafatali says:

    all best

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